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ARTICLE · 01 OCTOBER 2026

Co-production Agreements In Theatre: Practical Issues To Consider

BTO Solicitors LLP
BTO Solicitors LLP
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BTO Solicitors LLP

BTO Solicitors LLP

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Co-production agreements enable theatre companies to pool resources and share risks when developing and staging theatrical productions. This article examines the essential contractual provisions that parties should negotiate before embarking on a co-production, from financial contributions and rights ownership to marketing responsibilities and future exploitation rights.

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Co-productions – that is, productions devised by or produced by more than one theatre company – are a vital part of the theatre eco-system, facilitating the presentation of theatrical works that one theatre company alone might not have the resources to present.

Co-productions are particularly relevant in the current climate, given the increasing financial pressures faced by British theatres (increasing costs; smaller audiences), and the ongoing reduction in funding for the arts generally.

Most co-production agreements (in theatre and otherwise) will lay out the terms upon which the parties will work together to develop, produce, finance or stage a production. Co-productions are however often complex, involving difficult decisions and negotiations across every aspect of a production. As such, it is important that a co-production agreement clearly specifies the roles, contributions and ongoing obligations of each party and that such agreements are put in place before development or

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The content of this article is intended to provide a general guide to the subject matter. Specialist advice should be sought about your specific circumstances.

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