The worn motif that justice must be done in sombre chambers
surrounded by volumes of legal tomes is cast off when you enter
Justice Rosalie Silberman Abella's office at the Supreme
Court of Canada.
We all remember our first time setting foot in her chambers. A
cacophony of colour and kitsch, the office walls vibrate with bold
art and personal history: Fred Astaire and Ginger Rogers, Betty
Boop, the law certificate of her father from the Jagiellonian
University. The air is rich with jazz, classical and American
standards, including from the greats like the Gershwin Brothers and
Cole Porter. Mementos of her love of musical theatre are sprinkled
everywhere.
Her office is a testament to what Justice Abella has described
as the “crucial difference between an open mind and [an]
empty one.”