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How can there be a writer's strike when we're living in a time of unprecedented TV and movie production, with more screens and outlets to watch content on than ever before?

With the June passage of New York Senate bill S7890 and Assembly bill A10143, New York’s elephant and mammoth ivory and rhino horn trade may be approaching extinction.

The recent troubles of Knoedler Gallery, now airing in the press and later, presumably, in the courtroom, may shed some light on certain art world concerns.

Artists and dealers have a unique relationship. After creating a work of art, artists commonly give that piece to an art merchant to exhibit, and, sometimes, sell on their behalf.

In a world where content is king—and in music, most of that content is streamed— recording artists, writers and other members of the value chain increasingly need access to vital financial information that is crucial to plan and build their careers.

Ilene, James, Frank, and Ben were lauded as a top Music Litigation team; Briana and Simon were praised for their Media + Entertainment transactional work.

This case is a "twofer": not only does it involves a not-so-jolly dispute over copyright ownership of a holiday song; it also offers a refresher in Civil Procedure.

Launching an advertisement, production, or publication without obtaining the necessary third-party intellectual property (IP) rights can have costly consequences.

ASCAP is a performing rights organization that represents almost half of all composers and music publishers in the United States.

Pryor Cashman's Music Group submitted an amicus brief to the U.S. Supreme Court on behalf of clients the Recording Industry Association of America (RIAA) and the National Music Publishers' Association (NMPA).

Just like Napster triggered a global, technological shift in the way music is consumed and distributed, we are now on the precipice of another major revolution certain to disrupt the music industry.

On March 25, 2026, the Supreme Court of the United States reversed the Fourth Circuit’s judgment upholding contributory copyright liability in Cox Communications, Inc. v. Sony Music Entertainment, 607 U.S. ____ (2026), and remanded the case, in which a jury had awarded $1 billion in statutory damages.

Digital Millennium Copyright Act (DMCA) strikes are finally hitting Twitch over copyrighted music used in streams.

The esteemed Association of Art Museum Directors ("AAMD") recently published its Guidelines for the Use of Copyrighted Materials and Works of Art by Art Museums (the "Guidelines") on June 1, 2016.

The recent news that the Andy Warhol Art Authentication Board, Inc. will dissolve in early 2012 brings the role of authentication boards in the art world to the fore once again.

With New York's Fashion Week upon us, the time is appropriate to examine the intellectual property protections available to some of the most prominent artists in popular culture: fashion designers.

Since the first major fashion documentary featuring designer Isaac Mizrahi, "Unzipped," made its debut in 1995, the popularity of fashion documentaries has only gained traction.