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Wiggin LLP

Work 020 7612 9612
Fax 01242 224223
Brussels, Cheltenham, London

Caroline Kean

Work +44 (0)20 7927 9673
Wiggin LLP

Work Department



Caroline is a partner and head of the litigation group. She also leads the publishing team. Her expertise includes commercial litigation, with particular emphasis on defamation, privacy, confidence, copyright, trademarks, passing off and contractual disputes. Caroline is highly-regarded in the London media litigation market, with immense experience in resolving complex media disputes.


Articled Rubinstein Callingham; qualified 1985; assistant solicitor Rubinstein Callingham 1985-87; partner 1987; partner Olswang 1989-95; partner Wiggin & Co 1995.


She is legal advisor to Women in Journalism and a member of the Media Society.


Burford School; Newnham College, Cambridge; College of Law, Lancaster Gate.


Gardening, riding, rugby.

London: Risk advisory

Reputation management

Within: Leading individuals

Caroline Kean - Wiggin LLP

Within: Reputation management

Wiggin LLP¬†is a defendant practice with ‚Äėa team of very approachable and responsive industry experts‚Äô who ‚Äėprovide a stellar service to clients‚Äô. The team is headed by ‚Äėknowledgeable and experienced strategist‚Äô Caroline Kean. Clients include 21st Century Fox, Netflix and MoneySavingExpert.¬†Anna Doble¬† and¬†Adelaide Lopez¬† are associates to watch.

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London: TMT (technology, media and telecoms)

Media and entertainment (including media finance)

Within: Media and entertainment (including media finance)

Wiggin LLP¬†is commended for its ‚Äėgood commercial understanding‚Äô and is ‚Äėexceptional‚Äô across TV, film, music, publishing, advertising, marketing, gaming, social media and interactive content. Charles Moore¬†is ‚Äėvery knowledgeable and a pleasure to deal with‚Äô and specialises in film and TV production, financing and distribution and advised Focus Features and Working Title, alongside new partner Grainne McKenna¬†who joined the TV and film department in 2017 from an in-house role, on numerous UK productions, which included feature films Darkest Hour, Johnny English 3, and the historical drama Mary Queen of Scots. Moore and¬†Chris Hanson¬†, who handles media finance work, advised Netflix on the production and financing aspects of all of its original UK productions. Neil Gillard¬†advised The Ink Factory on the production and financing of the feature film Hotel Artemis and David Quli¬†advised financier, Anton Capital, on The Drama Investment Partnership, a venture with BBC Worldwide under which Anton and BBC Worldwide will co-fund a number of British high-end drama TV projects. Daniel Whybrew¬†advised Bank of Montreal on its loan facilities and associated security to the producers of numerous high-end TV drama projects. Ross Sylvester¬†and Medwyn Jones¬†advised Virgin Media and its parent company, Liberty Global, on its commissioning arrangements for original content under its multi-year deal with All3Media. Michael Brader¬†handles corporate work in the independent TV production sector. Litigator Simon Baggs¬†and digital rights expert Alexander Ross¬†head the music team, which is active across rights protection, digital music rights, and international music licensees and also features Rachel Alexander, which is representing Warner Music UK and Sony Music Entertainment UK in High Court proceedings issued in against TuneIn, Inc. Ross, defamation and privacy litigator Caroline Kean¬†and Adrian Jones¬†head the publishing team, which handles contentious and non-contentious matters. Shaun Lowde¬†and David Naylor¬†lead the gaming, social media and interactive content team, which was bolstered by the arrival of Paul Gardner¬†from Osborne Clarke LLP, who specialises in the computer gaming industry. Lowde and Sean James¬†lead the advertising and marketing department, which acts for clients such as Telefonica, UKTV, Perform Group, NBC Universal and bet365. The firm¬†recently acquired IP firm Redd Solicitors LLP

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