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7 SAVOY COURT, LONDON, WC2R 0EX, ENGLAND
Tel:
Work 020 7667 5000
Fax:
Fax 020 7667 5100
DX:
44617 MAYFAIR
Email:
Web:
www.harbottle.com

Mark Phillips

Tel:
Work 020 7667 5000
Email:
Web:
www.harbottle.com
Harbottle & Lewis LLP

Work Department

Corporate and commercial group

Position

Partner in the company and commercial group, the publishing group and head of interactive entertainment and the e-commerce/technology groups; specialising in commercial, corporate, investment and copyright work for media, technology and communications, particularly digital media, video games and publishing.

Career

  • Articled Clifford Chance - qualified 1986
  • partner, Harbottle & Lewis - 1990 to present date

Languages

French

Member

  • Member of the Advising Board of Forward Dimension Capital
  • Trustee of the Neon Foundation
  • Member of Steering Group of Games London
  • Director, Performing Arts Labs Ltd
  • Society for Computers and Law

Education

  • Manchester Grammar School
  • University College, London (1982 LLB Hons 1st)
  • College of Law

Leisure

  • Cycling
  • Running
  • Art
  • Films


London: TMT (technology, media and telecoms)

Media and entertainment (including media finance)

Within: Leading individuals

Mark Phillips (Computer games) - Harbottle & Lewis LLP

Within: Media and entertainment (including media finance)

Harbottle & Lewis LLP is noted for its 'breadth of expertise' across theatre, interactive entertainment, media finance, music, film, television and publishing work. The theatre team, which is led by Neil Adleman, regularly acts for producers, theatre owners, subsidised companies and individual writers and directors; it advised on all aspects of the UK and Republic of Ireland tour of the West End production of Motown. The video games group, which is led by Mark Phillips and Alan Moss, is instructed by leading console platforms and publishers, and is regularly engaged on video game financing deals. It is also noted for its e-sports expertise. Abigail Payne heads the media finance team which is experienced across debt, equity and tax-related financings for the film, TV, games, music, publishing and theatre sectors. Elsewhere, the music team is instructed by record labels, publishers, artists, producers, managers and digital music platforms. The film and TV group, where Sarah Lazarides is a pivotal figure, regularly acts as production counsel for major Hollywood productions shooting in the UK and Europe, acts for UK independent film producers and is also instructed by major SVOD platforms. Alex Hardy leads the publishing group, which acts for a number of high-profile publishing houses, authors, publishing sector start-ups and literary agents.

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Legal Developments by:
Harbottle & Lewis LLP

  • Account of profits v damages: when and why does it matter?

    Since 2007, Experience Hendrix LLC(Hendrix) and Times Newspapers Ltd (Times) have been litigating over the intellectual property rights (IPR) in a recording of a Jimi Hendrix concert that took place at the Royal Albert Hall in February 1969. In September 2006 Times distributed a free CD, or covermount, with each edition of The Sunday Times . A claim was issued against Times in March 2007 for infringement of copyright and performers’ rights under the Copyright, Designs and Patents Act 1988. In March 2008 the High Court held that Times had infringed the IPR in the recording and Hendrix elected to have an inquiry as to damages in respect of that infringement. The case has given rise to some complex issues as to the basis for the quantification of damages, and the inquiry is due to be heard next year, but the case is also a reminder of more general considerations in relation to remedies in IPR cases, and why the basis for quantification of those remedies can have far reaching consequences for a successful claimant.

    - Harbottle & Lewis LLP

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