{"id":44540,"date":"2024-10-03T06:42:15","date_gmt":"2024-10-03T06:42:15","guid":{"rendered":"https:\/\/my.legal500.com\/developments\/?post_type=press_releases&#038;p=44540"},"modified":"2024-10-03T06:42:34","modified_gmt":"2024-10-03T06:42:34","slug":"who-knew-resurrecting-the-dead-could-be-so-much-trouble","status":"publish","type":"press_releases","link":"https:\/\/my.legal500.com\/developments\/press-releases\/who-knew-resurrecting-the-dead-could-be-so-much-trouble\/","title":{"rendered":"Who knew resurrecting the dead could be so much trouble?"},"content":{"rendered":"<p><strong>In March 2024, a Chinese content creator released on Weibo a \u201cvideo tribute\u201d to the late artist CoCo Lee, who tragically passed away in July 2023.<\/strong><!--more--><\/p>\n<p>The video featured the late artist speaking from beyond the grave in her own voice, expressing gratitude and giving encouragement to her fans.<\/p>\n<p>Not surprisingly CoCo Lee hadn\u2019t made an appearance from the \u201cother side,\u201d neither had she left behind a video message to be played after her death.<\/p>\n<p>The entire video was created with generative artificial intelligence (AI), with both the digital avatar and her voice spliced from existing footage and recordings.<\/p>\n<p>Reaction to the video was, to put it mildly, mixed.<\/p>\n<p>Netizens expressed unease as to how the dead were being \u201cused.\u201d<\/p>\n<p>The family and estate of CoCo Lee, through a PRC law firm, issued a public statement demanding the removal of the video, saying the video was made without the consent of the family, and condemning it as exploiting CoCo Lee\u2019s image \u201c<em>to sell AI services\u201d<\/em> for \u201c<em>illegal profit<\/em>\u2026<em>under the guise of sentimentality.<\/em>\u201d<\/p>\n<p>They went to say the video had caused severe psychological distress and secondary harm to the family. The family also warned the misuse of CoCo Lee\u2019s image infringed the rights of the family under the PRC Civil Code<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a>.<\/p>\n<p>The video has since been taken down, but the content creator defended it as an \u201cexpression of love\u201d, claiming he had done it for free and had expressly disclosed the video was AI-generated.<\/p>\n<p>This is not the first, and certainly won\u2019t not be the last, time a deceased celebrity is \u201cresurrected\u201d with digital technology.<\/p>\n<p>During the filming of the <em>Furious 7 <\/em>(released in 2015), star Paul Walker passed away halfway through the production. The filmmakers opted to digitally re-create the star in a touching final farewell scene.<\/p>\n<p>Movie star James Dean, who passed away more than 60 years ago, is set to \u201cstar\u201d in a new and upcoming movie called <em>Back to Eden<\/em>, to be represented entirely by a digital recreation of the late actor.<\/p>\n<p>\u201cResurrecting\u201d celebrities could however come with a slew of issues.<\/p>\n<p><strong><u>Personality Rights\u2026<\/u><\/strong><\/p>\n<p>Many countries recognise some form of \u201cpersonality right\u201d or \u201cpublicity right\u201d or \u201cimage right\u201d, which provides that any person is entitled to control the use and exploitation of their own identity, name, image, and likeness, and the individual\u2019s consent is required before these can be used by anyone else.<\/p>\n<p>However, once they die, the extent to which a personality right is protected varies from country to country (and from state to state in the US).<\/p>\n<p>It is commonly the case that a person\u2019s personality rights pass to their estate or family who would then be required to provide their consent.<\/p>\n<p>As such, it is often the case that media projects (movies, advertisements, songs) which seek to exploit the likeness of a deceased celebrity will first seek the consent of (and often pay a fee to) the deceased\u2019s family\/estate.<\/p>\n<p><strong><u>\u2026 or not?<\/u><\/strong><\/p>\n<p>However, personality right is not universally recognised.<\/p>\n<p>For example, it is not recognized as a protectable class of rights under English common law, so there is no personality right protection in various English common law jurisdictions such as the UK, Australia, Hong Kong, Singapore, and India.<\/p>\n<p>Instead, these countries often rely on a patchwork of different laws to protect different aspects of personality right, such as:-<\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>the tort of passing off prevents misleading use of a person\u2019s name or imagery to create the false impression of endorsement;<\/li>\n<li>the law of confidence protects certain aspects of privacy;<\/li>\n<li>defamation and malicious falsehood protect against injury to reputation;<\/li>\n<li>data privacy laws prevent certain use of personal data;<\/li>\n<li>intellectual property laws such as copyright and trade marks to stop third parties\u2019 use of certain materials.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>It should be noted there remain notable gaps in the protection accorded by these laws.<\/p>\n<p>For example defamation laws and data privacy laws are not applicable to a deceased persons and thus accord no protection; the tort of passing off deals only with the harm of misrepresentation and the economic damage caused by the creation of false economic linkage, so there could be several permutations of how a deceased person\u2019s imagery is used without any misrepresentation.<\/p>\n<p>The CoCo Lee scenario is one such scenario where there is arguably no overt misrepresentation and no economic damage caused to CoCo Lee\u2019s family. It would therefore be questionable whether any claim would succeed if the scenario occured in a common law jurisdiction.<\/p>\n<p>On 2 May 2024, the UK\u2019s All-Party Parliamentary Group (APPG) on Music, published a report on the impact AI has on the music industry and called for better legislative protection against misuse of AI<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a>. One of the proposals put forth was the introduction of a specific personality right, closely referencing personality right in the US.<\/p>\n<p><strong><u>A Star Wars Addendum<\/u><\/strong><\/p>\n<p>The recent case of <em>Lunka Heavy Industries (UK) Limited &amp; Lucasfilm Ltd LLC\u00a0 v Tyburn Film Productions Limited<\/em> [2024] EWHC 2312 (Ch) also sheds light on some interesting dynamics which may be at work when it comes to resurrecting deceased celebrities.<\/p>\n<p>The case concerns the 2016 movie <em>Rogue One: A Star Wars Story,<\/em> which features a scene with the Star Wars character Grand Moff Tarkin, played by the late British actor Peter Cushing in the 1977 original <em>Star Wars: A New Hope<\/em>.<\/p>\n<p>Mr. Cushing passed away in 1994. With the consent of (and payment to) Mr. Cushing\u2019s estate, the filmmakers of <em>Rogue One<\/em> digitally recreated Mr. Cushing\u2019s appearance to reprise his role as Grand Moff Tarkin in the movie.<\/p>\n<p>Tyburn, the claimant to the case, is a film production company owned and operated by a long term personal friend and professional collaborator of Mr. Cushing.<\/p>\n<p>Tyburn alleges it entered into an agreement with Mr. Cushing in 1993 shortly before his passing, whereby he agreed not to grant permission to anyone to reproduce his appearance through special effects without Tyburn\u2019s written consent.<\/p>\n<p>Tyburn alleges no such consent was given and commenced Court proceedings in the UK against Mr. Cushing\u2019s estate for breach of contract, and against the filmmakers for unjust enrichment.<\/p>\n<p>A Master of the High Court of England and Wales summarily dismissed Tyburn\u2019s unjust enrichment claims against the filmmakers.<\/p>\n<p>Tyburn appealed to a High Court Deputy Judge and eventually had the dismissal overturned, indicating the case against the filmmakers is not entirely meritless and can proceed to trial.<\/p>\n<p>It should however be noted that, in granting Tyburn\u2019s appeal, the judge commented he was \u201c<em>far from persuaded that the Claimants will succeed in its claims\u2026<\/em>\u201d, but he allowed the case to proceed as he is \u201c<em>also not persuaded that the case is unarguable to the standard required to give summary judgement to strike it out.<\/em>\u201d<\/p>\n<p>He added \u201c<em>in a field of law which is not yet settled, I cannot be certain that the claim is bound to fail,<\/em>\u201d which suggests while the judge was not entirely convinced of the merits of Tyburn\u2019s case, he acknowledged further legal argument might be warranted.<\/p>\n<p>Therefore, apart from personality right (which may or may not be recognized depending on the jurisdictions involved), there may also be a contractual dimension to \u201cresurrecting\u201d deceased celebrities.<\/p>\n<p>This could be a further complication as the estate\/family of deceased celebrities may not have full knowledge of the deceased\u2019s affairs.<\/p>\n<p>It is undeniable generative AI represents a paradigm shift for the entertainment industry.<\/p>\n<p>A task which previously required hundreds of thousands, if not millions, of investment in CGI technologies, may now be done by a netizen with an AI subscription plan.<\/p>\n<p>The potential for misuse, especially by layman, cannot be understated.<\/p>\n<p>It remains to be seen how capable our existing laws are in tackling the legal issues brought by this new development.<\/p>\n<hr \/>\n<p>Author: <em>Anthony Leung<\/em><\/p>\n<hr \/>\n<p>Footnotes<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> Article 994 of the PRC Civil Code (\u6c11\u6cd5\u5178):<\/p>\n<p><em>\u7b2c<\/em><em>994<\/em><em>\u6761\u3000\u6b7b\u8005\u7684\u59d3\u540d\u3001\u8096\u50cf\u3001\u540d\u8a89\u3001\u8363\u8a89\u3001\u9690\u79c1\u3001\u9057\u4f53\u7b49\u53d7\u5230\u4fb5\u5bb3\u7684\uff0c\u5176\u914d\u5076\u3001\u5b50\u5973\u3001\u7236\u6bcd\u6709\u6743\u4f9d\u6cd5\u8bf7\u6c42\u884c\u4e3a\u4eba\u627f\u62c5\u6c11\u4e8b\u8d23\u4efb\uff1b\u6b7b\u8005\u6ca1\u6709\u914d\u5076\u3001\u5b50\u5973\u4e14\u7236\u6bcd\u5df2\u7ecf\u6b7b\u4ea1\u7684\uff0c\u5176\u4ed6\u8fd1\u4eb2\u5c5e\u6709\u6743\u4f9d\u6cd5\u8bf7\u6c42\u884c\u4e3a\u4eba\u627f\u62c5\u6c11\u4e8b\u8d23\u4efb\u3002<\/em><em>(Where the <strong><u>name<\/u><\/strong>, <strong><u>likeness<\/u><\/strong>, <strong><u>reputation<\/u><\/strong>, honour, privacy, remains, or the like, of the deceased is harmed, the spouse, children, and parents of the deceased have the right to request the actor to bear civil liability in accordance with law. Where the deceased has no spouse or children, and the parents of the deceased have already died, other close relatives of the deceased have the right to request the actor to bear civil liability in accordance with law; emphasis added)<\/em><\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> As retrieved from <a href=\"https:\/\/www.ukmusic.org\/wp-content\/uploads\/2024\/04\/APPG-AI-Report-Low-res.pdf\">https:\/\/www.ukmusic.org\/wp-content\/uploads\/2024\/04\/APPG-AI-Report-Low-res.pdf<\/a> on 20 September 2024<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-44540","press_releases","type-press_releases","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/my.legal500.com\/developments\/wp-json\/wp\/v2\/press_releases\/44540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/my.legal500.com\/developments\/wp-json\/wp\/v2\/press_releases"}],"about":[{"href":"https:\/\/my.legal500.com\/developments\/wp-json\/wp\/v2\/types\/press_releases"}],"wp:attachment":[{"href":"https:\/\/my.legal500.com\/developments\/wp-json\/wp\/v2\/media?parent=44540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}